Tom: G
(afinação - guitar I) Eb Ab Db Gb Bb Eb )
(intro)
Q.=57
Gb7
12/8
(guitar I) ~
Q.
E S S S
E E S E. S S S E.
E7
~ ~~
E E E Q S S S S S S S S E. S S S
B7 E7
~~~
S S S S E. e
E Q a E. S
E S S S
(verse)
B7 E7
~~~~~~~
E H.
E S S
E S S S S S S Q q H Q.
B7
~~~~
Q. S S S S S S S S S S S S
E E E E S
~~
E S S S S S S S S
E E Q. Q S S s
E7
~~~~~~~~~~~~~
T S H Q.
E E E S S S S T
E S e.
E Q. H.
B7
~~~~~~~~
E Q
E S S S S S S S e. Q
E S S S
Gb7
~~~
E. E.
E Q E. S S S S S Q e Q Q. H.
B7 E7
~~~~
Q. S S S S
E S S S S S S S T S T S S S e S
B7 Gb7
~~~~~
S S S S T T Q S S Q.
E S S
E S
(verse 2)
B7 E7
~~~ ~~~
|3|
a H.
E E S S S E. S S S S Q.
E E E H.
~~
Q
E E. S
E S S Q
E S S S S
E7
~~~
Q.
E E E Q.
E Q
~
S S S S S S S S S S S S S
E Q S
E E S S
Q. Q
E S E. S
E S S
E E S E. S T T
|-3-| |-3-| |-3-| |-3-|
B7 E7
~~ PM
Q. Q S
E Q S S S S S. T T T T
Gb7
~~~~~~~~~
Q.
E E E E e
E E E S S
(guitar solo)
B7
~~~ ~~~
S
E E. S S T T S S S S S E. S E. E.
E7
~~~~~~~
E E S
E S S S
E S S S S S
E S S T T S S S S S S
E
E Q
E S S S S S
E E E T T S
E E E S
~~ ~~~~
S E. S S S
E E E E E S
E E S S
Bb7
~~~~~ ~~~~
S S Q E. E. Q
E E. S S S
~~~~~
S S E.
E Q. S
E S S S S T T S S S S
Gb7
~~~~~
S S T T
E T T T T S S S S S S S S T T
E E T T T T T Q
E7
B7 E7
~
S S e
E E a
E a
E S Q
E S e S S S
(verse 3)
E7
~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
S S Q Q.
E E E E E E E E E E E E E Q
E Q
~
E7 F7 F F
~~~ ~
E7
E E E E Q
E E E Q.
B7
~~~~
Q. Q. S E.
E Q S S H.
E S S S S S S S S S S
Q. Q. H Q
Gb7 E
~~~~
Q. Q. Q. Q
E E Q Q. H.
B7 E7 E#7
Q E. S S S T T S S S S S S S S T T S S S S
Gb7 Db C Bb
~ TP
E E E e
E e H. H. Q
E E Q
W - whole; H - half; Q - quarter;
E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
- note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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